Chris McCaw, Sunburned GSP#193 (SF Bay), 2007
Today I ran across three works pushing b/w towards an extreme transfiguration of light, each of them in its onw peculiar way, from the dark tales of coal miners by Colette Campell-Jones to the sunburnt paper negatives of Chris McCaw (also here), to end with the apocalyptic storms by Mitch Dobrowner.
Dark bedtime stories, you just need to light a candle and then enjoy.
Dark bedtime stories, you just need to light a candle and then enjoy.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdKc3cqoW4wPVNZO5Htv68Gli_egXU3vTwYSjvGoEPxis7sZWI8XVkjMf7D8QwHD9-NVa4X150T2kPL0DPt6BxkBGscO1IfGfKS2q1neLmlqgdfmBD6D8X8pVRZGOTfAwn6wCJCGtO3D-u/s400/colette.jpg)
Oggi ho scoperto tre diversi artisti che spingono il bianco e nero verso una trasfigurazione estrema della luce, ognuno a modo proprio, dalle oscure storie di minatori di Colette Campell-Jones ai negativi bruciati dal sole di Chris McCaw (anche qui), per chiudere con le tempeste apocalittiche di Mitch Dobrowner.
Tre favole nere per la buonanotte, accendete una candela e buona visione.
Tre favole nere per la buonanotte, accendete una candela e buona visione.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhisBQAsTuBdaj-Kk7ffFm36oDjJ3Lu7G25jTBBEvJ9NhuhyphenhyphenMP4ljkLRZuyfahVj8nKBN2P9ELktMWRTIMezlYeaAzceBiaNHvZT2mNnIKnNg0WCSpG417K-v-XlBKxl5E1f7qlZp1pSZd7/s400/Mitch_Dobrowner_Clouds.jpg)
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